ADVERTISEMENT.

This publication of the Works of John Knox, it is supposed, will extend to Five Volumes. It was thought advisable to commence the series with his History of the Reformation in Scotland, as the work of greatest importance. The next volume will thus contain the Third and Fourth Books, which continue the History to the year 1564; at which period his historical labours may be considered to terminate. But the Fifth Book, forming a sequel to the History, and published under his name in 1644, will also be included. His Letters and Miscellaneous Writings will be arranged in the subsequent volumes, as nearly as possible in chronological order; each portion being introduced by a separate notice, respecting the manuscript or printed copies from which they have been taken.

It may perhaps be expected that a Life of the Author should have been prefixed to this volume. The Life of Knox, by Dr. MʻCrie, is however a work so universally known, and of so much historical value, as to supersede any attempt that might be made for a detailed bioviiigraphy; and none of the earlier sketches of his life is sufficiently minute or accurate to answer the purpose intended. In order to obviate the necessity of the reader having recourse to other authorities, I have added some chronological notices of the leading events in his life; reserving to the conclusion of the work any remarks, in connexion with this publication, that may seem to be requisite.

I was very desirous of obtaining a Portrait of the Reformer, to accompany this volume. Hitherto all my inquiries have failed to discover any undoubted original painting, among several which have either been so described, or engraved as such.¹¹That Lord Torphichen's picture at Calder House is a portrait of Knox, cannot be doubted, and it may have been copied from an older painting; but at best it is a harsh and disagreeable likeness, painted at least a century after Knox's death. It was engraved for Dr. MʻCrie's work; and, on a large scale, there is a most careful engraving of it, by a very ingenious and modest artist, Mr. William Penny of Mid-Calder. In the meantime, a tolerably accurate fac-simile is given of the wood-cut portrait of Knox,²²The ornamented border in the original is very rudely cut: here it is given only in outline. A French translation of Beza's volume appeared in 1581, with several additional portraits; but it is somewhat remarkable that a totally different portrait should have been substituted in place of that of Knox. This, I think, may be explained, from the circumstance of the original cut having been either injured or lost; and not from the other exhibiting a more correct likeness of the Scotish Reformer. From its marked resemblance, I am convinced, that the portrait substituted was intended for William Tyndale.—When the engraved pseudo-portraits of Knox are brought together, it is quite ludicrous to compare the diversity of character which they exhibit. Besides the ordinary likeness, with the long flowing beard, copied from bad engravings to worse, we have the Holyrood one, not unworthy of Holbein, of a mathematician, with a pair of compasses; the head at Hamilton Palace, which might serve for the Hermit of Copmanhurst; and others that would be no unsuitable illustrations to any account of the fools and jesters entertained at the Scotish Court. included by Theodore Beza, in his volume entitled "Icones, id est, Veræ Imagines Virorum Doctrina simul et Pietate illustrium," &c., published at Geneva, in the year 1580, 4to. It is the earliest ofix the engraved portraits, and, so far as we can judge, it ought to serve as a kind of test by which other portraits must be tried. A similar head engraved on copper, is to be found in Verheiden's "Præstantium aliquot Theologorum, &c., Effigies," published at the Hague, in 1602, folio; but this, I apprehend, is merely an improved copy from Beza, and not taken from an original painting. It does not retain the expressive character of the ruder engraving, although the late Sir David Wilkie, whose opinion in such matters was second to none, was inclined to prefer this of Verheiden to any at least of the later portraits of the Reformer.³³I state this from having lent him Verheiden's work, for the purpose of his copying Knox's portrait. Perhaps the fine arts sustained by the death of this eminent Painter, no greater loss than in his leaving unfinished the most exquisite design of "Knox dispensing the Sacrament," which, in its half-finished state, has fortunately been secured by the Royal Scotish Academy. His previous painting of "Knox preaching to the Lords of the Congregation," is sadly disfigured by the extravagant action and expression of the Reformer.

It may not here be superfluous to mention, that this publication was projected by the Editor many years ago, and that some arrangements had been entered into for having it printed in England. When the Wodrow Society, therefore, expressed a willingness to undertake the work, I proposed as a necessary condition, that Ix should have the privilege of causing a limited impression to be thrown off, for sale, chiefly in England; and the Council, in the most liberal manner, at once acquiesced in this proposal. Instead however of availing myself to the full extent of their liberality, which some circumstances rendered less desirable, but in order to avoid throwing, either upon the Society or the Editor, the extra expenses which have been incurred in various matters connected with the publication, it was finally arranged that a much more limited impression than was first proposed, should be thrown off on paper to be furnished by the Bannatyne Club, for the use of the Members of that Institution.

November, 1846.xi