Nicholas Selnecker
The career of
Nicholas Selnecker,
on the other hand, affords an example of that discord and
persecution among the Protestants of which we
have spoken. He was a cultivated, agreeable,
and very able man, springing from one of the
oldest families of Nuremberg, who prided themselves
on their culture. As a boy, his remarkable
musical gifts and personal beauty attracted the
notice of Ferdinand, King of Rome, and his Italian
confessor; and they laid a plan for having the boy
kidnapped and carried to Spain. Fortunately his
father discovered it in time to have him secretly
conveyed to Wittenberg, where he was boarded in
the house of Melancthon. As a man, the highest
offices in the Lutheran Church were open to him, and
he was distinguished by several of the Evangelical
sovereigns. But he had an acute, and singularly just
and candid mind, which inclined him to decided but
moderate views, and hence he became a constant
mark for attack to the extreme partisans on both sides.
He was incessantly involved in controversy; he was
seven times banished from Saxony--whenever, in fact,
the ultra-Calvinistic party got the upper hand--and
was seven times implored to return; while he was
turned out of Jena and Brunswick for being too lenient
152
to the Calvinists. So the life that might have been
rich in value and usefulness was almost wasted in
fruitless disputes and struggles, which were full of
suffering to a man who loved peace, and was keenly
alive to the dangers of disunion. He died in 1592, at
the age of sixty-two. Being a great lover of church-music,
he devoted much time and attention to the
improvement of the German liturgy, and himself
wrote several hymns, of which only two short ones
can be quoted here. The first is still commonly
used at the close of evening worship:--
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