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11

The very stones will cry out from the wall,

and the plaster will respond from the woodwork.

 


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There is here introduced by the Prophet a new personification. He had before prepared a common song, which would be in the mouth of all. He now ascribes speech to stones and wood, of which buildings are formed. The stone, he says, shall cry from the wall, and the wood from the chamber; that is, there is no part of the building that will not cry out that it was built by plunder, by cruelty, and, in a word, by evil deeds. The Prophet not only ascribes speech to wood and stone, but he makes them also respond one to the other as in a chorus, as in lyrics there are voices which take up the song in turns. The stone, he says, shall cry from the wall, and the wood shall respond to it from the chamber; 3737     The word rendered here “Wood,” lignum, is [כפיס], and only found here. The Septuagint has κανθαρος, a beetle,—Sym. συνδεσμος, bond, tie, or joint,—Theod. ἔνδεσμος, bandage or jointing. The context shows that it must be something connected with wood-building. Parkhurst says, that it is a verb in Syriac, and means to connect, to fasten together, and he renders it a beam or a rafter, which would exactly suit this place. The word, [מעף], “from the wood,” evidently means the wood-building or wood-work. So that tabulatum, a story or a chamber in a building, as rendered by Calvin, is not amiss. Perhaps the best version would be,—
   And the beam from the wood-work answers it.

   Bochart says, that [כפיס], in Rabbinical writings, means a brick, and that it was usual, formerly, as it was in this country not long ago, to build with bricks and wood or timber together; and Henderson has adopted this meaning, but the other is more satisfactory.—Ed.
as though he said, “There will be a striking harmony in every part of the building; for the wall will begin and will utter its song, ‘Behold I have been built by blood and by iniquity;’ and the wood will utter the same, and will cry, ‘Woe;’ but all in due order; there will be no confused noise, but as music has distinct sounds, so also the stones will respond to the wood and the wood to the stones, so that there may be, as they say, corresponding voices.”




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