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The Song of Moses

15

Then Moses and the Israelites sang this song to the L ord:

“I will sing to the L ord, for he has triumphed gloriously;

horse and rider he has thrown into the sea.

2

The L ord is my strength and my might,

and he has become my salvation;

this is my God, and I will praise him,

my father’s God, and I will exalt him.

3

The L ord is a warrior;

the L ord is his name.

 

4

“Pharaoh’s chariots and his army he cast into the sea;

his picked officers were sunk in the Red Sea.

5

The floods covered them;

they went down into the depths like a stone.

6

Your right hand, O L ord, glorious in power—

your right hand, O L ord, shattered the enemy.

7

In the greatness of your majesty you overthrew your adversaries;

you sent out your fury, it consumed them like stubble.

8

At the blast of your nostrils the waters piled up,

the floods stood up in a heap;

the deeps congealed in the heart of the sea.

9

The enemy said, ‘I will pursue, I will overtake,

I will divide the spoil, my desire shall have its fill of them.

I will draw my sword, my hand shall destroy them.’

10

You blew with your wind, the sea covered them;

they sank like lead in the mighty waters.

 

11

“Who is like you, O L ord, among the gods?

Who is like you, majestic in holiness,

awesome in splendor, doing wonders?

12

You stretched out your right hand,

the earth swallowed them.

 

13

“In your steadfast love you led the people whom you redeemed;

you guided them by your strength to your holy abode.

14

The peoples heard, they trembled;

pangs seized the inhabitants of Philistia.

15

Then the chiefs of Edom were dismayed;

trembling seized the leaders of Moab;

all the inhabitants of Canaan melted away.

16

Terror and dread fell upon them;

by the might of your arm, they became still as a stone

until your people, O L ord, passed by,

until the people whom you acquired passed by.

17

You brought them in and planted them on the mountain of your own possession,

the place, O L ord, that you made your abode,

the sanctuary, O L ord, that your hands have established.

18

The L ord will reign forever and ever.”

19 When the horses of Pharaoh with his chariots and his chariot drivers went into the sea, the L ord brought back the waters of the sea upon them; but the Israelites walked through the sea on dry ground.

The Song of Miriam

20 Then the prophet Miriam, Aaron’s sister, took a tambourine in her hand; and all the women went out after her with tambourines and with dancing. 21And Miriam sang to them:

“Sing to the L ord, for he has triumphed gloriously;

horse and rider he has thrown into the sea.”

Bitter Water Made Sweet

22 Then Moses ordered Israel to set out from the Red Sea, and they went into the wilderness of Shur. They went three days in the wilderness and found no water. 23When they came to Marah, they could not drink the water of Marah because it was bitter. That is why it was called Marah. 24And the people complained against Moses, saying, “What shall we drink?” 25He cried out to the L ord; and the L ord showed him a piece of wood; he threw it into the water, and the water became sweet.

There the L ord made for them a statute and an ordinance and there he put them to the test. 26He said, “If you will listen carefully to the voice of the L ord your God, and do what is right in his sight, and give heed to his commandments and keep all his statutes, I will not bring upon you any of the diseases that I brought upon the Egyptians; for I am the L ord who heals you.”

27 Then they came to Elim, where there were twelve springs of water and seventy palm trees; and they camped there by the water.


19. For the horse of Pharaoh went in. This verse does not; seem to be suited to the song, and therefore I am rather of opinion that Moses returns here to the history, and assigns the reason why the Israelites so magnificently celebrated the praises of God. For the sake of avoiding ambiguity, it would perhaps be better thus to render it, — “For the horse of Pharaoh had gone in, and the Lord had brought again the waters of the sea upon them, but; the children of Israel had gone on dry land.”168168     There is the following addition in the Fr.: — ‘Voyla pourquoy j’ai mis les verbes en temps plus que parfait;” you see why I have put the words in the pluperfect tense.

20. And Miriam the prophetess. Moses here introduces in his song the ἀντιστροφὴ, such as were constantly used by the lyric poets. For God would have not only men to be the proclaimers of this great miracle, but associated the women with them. When, therefore, the men had finished their song, the women followed in order. Although it is not certain whether the first verse was intercalary, (as the sacred history testifies the following sentence to have been in a solemn hymn: — “For his mercy endureth for ever,” 1 Chronicles 16:34, which is also intercalated in Psalm 136), or whether the women repeated alternately what the men had sung. It little matters which opinion you prefer, except that the former is more probable. But although Moses honors his sister by the title of “prophetess,” he does not say that she assumed to herself the office of public teaching, but only that she was the leader and directress of the others in praising God. The beating of timbrels may indeed appear absurd to some, but the custom of the nation excuses it, which David witnesses to have existed also in his time, where he enumerates, together with the singers, “the damsels playing with timbrels,” (Psalm 68:25,) evidently in accordance with common and received custom. Yet must it be observed, at the same time, that musical instruments were among the legal ceremonies which Christ at His coming abolished; and therefore we, under the Gospel, must maintain a greater simplicity.169169     C.’s opinion on this subject will be found at greater length in his Commetary on the Psalms, (Calvin Society’s Translation,) vol. 1:539; 3:98, 312, 495; 4:72, 73; 5:312, 320. Perhaps the following note on Psalm 81:2, may most conveniently embody his sentiments: — “With respect to the tabret, harp, and psaltery, we have formerly observed, and shall find it necessary afterwards to repeat the same remark, that the Levites, under the law, were justified in making use of instrumental music in the worship of God; it having been His will to train His people, while they were as yet tender and like children, by such rudiments, until the coming of Christ. But now, when the clear light of the Gospel has dissipated the shadows of the law, and taught us that God is to be served in a simpler form, it would be to act a foolish and mistaken part to imitate that which the Prophet enjoined only upon those of his own time. From this it is apparent that the Papists have shown themselves to be very apes in transferring it to themselves.” — Vol 3, p. 312. Elsewhere he says, “Paul allows us to bless God in the public assembly of the saints only in a known tongue. (1 Corinthians 14:16.) The voice of man, although not understood by the generality, assuredly excels all inanimate instruments of music; and yet we see what St. Paul determines concerning speaking in an unknown tongue.” — Commentary on Psalm 33:2, vol. 1:539.


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