7# o B\\\\\,X< &<< \x **T\* **T****** II BIBLIOGRAPHY BIBLIOGRAPHY Ariosto, Ludovico. Orlando Furioso. Translated by Guido Waldman. Oxford: Oxford University Press, 1982. Bent, Margaret. "Diatonic Ficta." Early Music History 4 (1984): 1-48. ____. "Musica Recta and Musica Ficta." Musica Disciplina 26 (1972): 73-100. Berger, Karol. "The Expanding Universe of Musica Ficta." Journal of Musicology 4 (1986): 410-430. ____. Musica Ficta. Cambridge: Cambridge University Press, 1987. Boorman, Stanley. "Some Non-Conflicting Attributions, and Some Newly Anonymous Compositions from the Early Sixteenth Century." Early Music History 6 (1986): 109-157. Buja, Maureen. Italian Renaissance Poetry: A First Line Index to Petrarch, Ariosto, Tasso and Others. New York: Garland Publishing, 1987. Einstein, Alfred. The Italian Madrigal. Princeton: Princeton University Press, 1948. Fenlon, Iain and Haar, James. The Italian Madrigal in the Early Sixteenth Century: Sources and Interpretation. Cambridge: Cambridge University Press, 1988. Haar, James. "False Relations and Chromaticism in Sixteenth-Century Music." Journal of the American Musicological Society 30 (1977): 391-418. Hersh, Donald. "Verdelot and the Early Italian Madrigal." Ph.D. Diss., University of California, 1963. Lewis, Mary S. Antonio Gardano, Venetian Music Printer 1538-1569: A Descriptive Bibliography and Historical Study. Vol. 1, 1538-1549. New York: Garland Publishing, 1988. Lincoln, Harry B. The Italian Madrigal and Related Repertories: Indexes to Printed Collections 1500-1600. New Haven: Yale University Press, 1988. Lockwood, Lewis. "A Dispute on Accidentals in Sixteenth-Century Rome." Analecta Musicologica 2 (1965): 24-40. Meier, Bernhard. The Modes of Classical Polyphony, Described According to the Sources. Translated by Ellen S. Beebe. New York: Broude, 1988. Powers, Harold S. Tonal Types and Modal Catagories in Renaissance Polyphony. Journal of the American Musicological Society 34 (1981): 428-470. Rpertoire International des Sources Musicales. B/I/1. Recueils Imprims XVIe- XVIIe Sicles. ed. Francois Lesure. Mnchen-Duisburg: G. Henle Verlag, 1960. Vogel, Emil. Bibliothek der gedruckten weltlichen Vocalmusik Italiens aus den Jahren 1500-1700. Hildesheim: Georg Olms, 1962. Zarlino, Gioseffo. The Art of Counterpoint. Translated by Guy Marco and Claude Palisca. New York: Da Capo Press, 1983. 151 154 152 154 uvu:u:u:W&P:xgVP`X"hNv#UVW#`X"hNW`pPb<.jhj|oo(H.Ka..osV@fx.(.(v` _lyn-nlҹ Uz$UzKr zW&P2$%W&`P-hTsNeNer!-FWjy->|x=Qm(1  8 ; ? A J _ ` 7 # @ @@ $$>      !./0123456789:;<=>?@ABCDEFGHIVWR+z [X !!!!!T !!!!! Y   !!!F     F @ &)25>AD #   !" HH@Rd(hh @d' =/pBBH-:StyleWriter II New York HelveticabbbEh( elizabeth elizabeth