MThdxMTrk&ô˙ The Collar˙Copyright Š 1998 by J. R. Arner˙George Herbert˙rubato (clearly)˙MIDI file publishers and hardware manufacturers, such as Roland Corp. and Tune 1000 have introduced more detailed conventions for authoring standard MIDI files for GM devices. These conventions are intended to produce consistent, error-free results when ˙7Song Tempo should remain within the range of 30-240bpm ˙2MIDI Channel Recommended Instrumentation ˙>1 Piano Solo (Left & Right Hand) ˙/2 Bass Instrument ˙j3 Primary Accompaniment (or for Left-hand part when using split Piano parts) ˙q4 Primary Melodic Instrument* (or for Right-hand part when using split Piano parts) ˙75 Secondary Accompaniment ˙<6 Secondary Melodic Instrument ˙-7 Alternative 1 ˙-8 Alternative 2 ˙-9 Alternative 3 ˙110 Drums & Percussion ˙+11 --Reserved-- ˙*12 --Reserved-- ˙*13 --Reserved-- ˙*14 --Reserved-- ˙*15 --Reserved-- ˙*16 --Reserved-- ˙&*Lyrics should be placed on Channel 4 đ~ ÷˙X˙Y˙Q 'Ŕ˙JezŔ1°LÁGąd Ă,‚W7d;d>dCd“CdpC>7;C7d;d>dCd“Cd˙sus x“C>7;C7d;d>dCd“Cd˙I x“C>7;C4d;d@dCd“Cd˙live x˙I x“C@4;C4d9d=dCd“Cd˙to p“C=49C/d;d?dBd“Bd˙Thee, x‘/d“Gdx‘/1d“Kd˙struck <‘14d˙the <‘46d“Nd˙board, x“NKB“G;?/“B4d7d@dCd“Cd˙the <‘64d˙and <‘41d˙cry'd, x“CC@477d7d;d@d“@d˙Love<‘12d˙No <‘2“@;77@‘/d4d9ddCd“Cd˙I ˙est x‘.2d˙will <‘21d˙a<‘1;>2“CC‘4d2d9ddCdGd“Gd˙My x‘89d˙My <‘96d˙lines <“GGC7>7d>dCdGd“Gd˙life <‘68d˙and <‘8“GC7>G‘4d7d>dCdGd“Gd˙life ˙in x“G7>‘4GC‘6d;d?dBdGd“Gd˙are ˙Thee, <‘62d˙free; x‘21d˙free <“GGB;?3dBdEdGd“Gd˙Thy <‘12d˙as <‘2/d˙the <‘/.d˙rode, <BGE3“G4d@dCdGd“Gd˙life <‘.-d˙Loose <‘-4d˙as <‘4/d˙the <@GC4“G0d@dCdHd“Hd˙in <‘/-d˙winde, 4@HC0“H2d>dBdEd“Ed˙me, <‘--d˙as <‘-6d“>d˙large x‘64d“Bd˙as <‘44d˙store. x‘42d˙Shall <E2“>>B“BE7d>dCdGd“Gd˙In <‘27d˙I 4>GC7“G0ddCd“Cd˙in ˙love <‘32d˙suit? <‘20d˙Have <‘00d˙I <‘0“C>2;C‘2d>d“EE‘7d7d;d>dCd“Cd˙but ˙rest. <‘76d˙a <‘64d“Gd˙thorn x‘46d“Jd˙To <‘64d˙let <‘42d“Od˙me x“O7“JG;>C“C‘24dCd7d;d>d“Cd˙bloud, ˙Jex‘44d˙and <‘44d˙not <‘47;C“C>‘6dCd7d;d>d“Cd˙re˙sus <‘67d˙store <‘7“C;C7>‘7dCd7d;d>d“Cd˙What ˙I <‘79d˙I <7>;C“C4d;d@dCd“Cd˙die x‘97d˙have <‘76d˙lost <‘6;@4“CC‘4d4d9d=dCd“Cd˙with ˙to <‘42d˙cor<‘20d˙diall <‘0/d˙fruit? <9C=4“C/d;d?dBd“Bd˙Thee, x‘/4d“;d˙Sure x‘46d“?d˙there <‘67d˙was <‘79d˙wine<‘9;d˙˙ <‘;/“;B?B;“?‘9d4d7d@dCd“Cd˙When<‘99d˙Be<‘97d˙fore <‘76d˙my <‘6“C@47C‘4d7d7d;d@d“@d˙sighs ˙e<‘46d˙did <‘6“@;77@‘4d4d9ddCd“Cd˙death x‘22d˙there <‘24d˙was <‘4;>2“CC‘6d2d9ddCdGd“Gd˙To <‘/0d˙one<‘00d˙ly <‘00d˙lost <‘0“GC7>G‘0d7d>dCdGd“Gd˙to ˙die <‘02d˙me? <>GC7“G7d>dCdGd“Gd˙in <‘20d˙Have <‘0“GC7>G‘2d;d?dBdGd“Gd˙I ˙Thee <‘20d˙no <‘0/d˙bayes <‘/0d˙to <‘0“GB;?G‘2d3dBdEdGd“Gd˙crown ˙is <‘20d˙it? x‘00d˙No <‘0BE3“GG‘6d4d@dCdGd“Gd˙ flowers, ˙life x‘60d˙no <‘02d˙gar<‘2@C4“GG‘4d0d@dCdHd“Hd˙lands ˙to <‘46d˙gay? x‘6<“HC0@H‘6d2d>dBdEd“Ed˙all ˙me p‘64d˙blas<‘42d˙ted? 4‘2>B2“EE‘2d7d>dCdGd“Gd˙All ˙In x‘20d˙was<‘02d˙ted? <‘2>C7“GG0ddCd“Cd˙my ˙ter<‘46d˙heart: 4‘6“C>2;C‘4d>d<E‘2d7d;d>dCd“Cd˙is ˙home. <‘2/d˙fruit, x‘/.d˙And <‘.2d˙thou <‘20d˙hast <‘04d˙hands. x‘4“C>7;C‘2dCd7d;d>d“Cd˙Re˙Whex‘24d˙co<‘46d˙ver <‘67;C“C>‘7dCd7d;d>d“Cd˙all ˙ther <‘79d˙thy <‘9“C;C7>‘:dCd7d;d>d“Cd˙sigh˙to x“CC7‘:>;‘;d4d;d@dCd“Cd˙blown ˙live <‘;8d˙age x‘89d˙On <‘9;@4“CC‘6d4d9d=dCd“Cd˙dou˙or x‘67d˙ble <‘74d˙plea<‘49=4“CC‘6d/d;d?dBd“Bd˙sures: ˙die, x‘62d˙leave x‘20d˙thy <‘02d˙cold <‘2/d˙dis<‘/.d˙pute <‘.“B?/;B‘/d4d7d@dCd“Cd˙Of ˙I x‘/-d˙what <‘-4d˙is <‘47@4“CC‘/d7d7d;d@d“@d˙fit, ˙know x“@77‘/@;‘-d4d9ddCd“Cd˙which <‘64d˙For<‘43d˙sake x‘3;>2“CC‘2d2d9ddCdGd“Gd˙have ˙To <‘67d˙made, x‘76d˙and ‘64d˙made ‘4“GC7>G‘6d7d>dCdGd“Gd˙to ˙live <‘64d˙thee <‘4“GC7>G‘2d7d>dCdGd“Gd˙Good ˙in <‘24d˙cab<‘4“GC7>G‘4d;d?dBdGd“Gd˙le, ˙Thee x‘44d˙to <‘46d˙en<‘6?B;“GG‘7d3dBdEdGd“Gd˙force ˙is <‘77d˙and <‘79d˙draw, x‘9BE3“GG‘7d4d@dCdGd“Gd˙And ˙bliss <‘76d˙be x‘64d˙thy <‘4@C4“GG‘2d0d@dCdHd“Hd˙law, ˙to x‘24d˙While <‘46d˙thou <‘6@C0“HH‘7d2d>dBdEd“Ed˙didst ˙me, <‘79d˙wink <‘97d˙and <‘76d˙wouldst <‘64d˙not <‘46d˙see. 4‘6“EB2>E‘7d7d>dCdGd“Gd˙A˙To <‘72d˙way; 4‘2“GC7>G‘2d0ddCd“Cd˙will ˙end<‘20d˙a<‘04d˙broad. x‘4;>2“CC>d<E‘0d7d;d>dCd“Cd˙thy ˙rest. <‘00d˙deaths <‘00d˙head <‘02d˙there: x‘24“C>7;C7d;d>dCd“Cd˙Livx‘/d˙tie x‘/;>7“CC‘0d7d;d>dCd“Cd˙up ˙ing <‘04d˙thy <‘4“C>7;C‘6d7d;d>dCd“Cd˙fears. ˙or x“C7;‘6C>4d;d@dCd“Cd˙dy<‘4d˙He <‘40d˙that x‘0“C@4;C‘2d4d9d=dCd“Cd˙for˙ing, <‘2/d˙bears x‘/<“C=49C‘/d/d;d?dBd“Bd˙ To ˙Lord, x‘/.d˙suit x‘.2d˙and <‘20d˙serve <‘04d˙his x‘4;?/“BB‘2d4d7d@dCd“Cd˙need, ˙I x‘2<4d˙De<‘4“C@47C‘0d7d7d;d@d“@d˙serves ˙ask x“@77‘0@;‘2d4d9ddCd“Cd˙to <‘/4;>2“CC2d9ddCdGd“Gd˙My x‘6x>C7“GG7d>dCdGd“Gd˙life x“GC7>G7d>dCdGd“Gd˙in x“GC7>G;d?dBdGd“Gd˙Thee, x‘4d˙and x‘4?B;“GG‘0d3dBdEdGd“Gd˙grew ˙Thy x‘02d˙more x‘2“GE3BG‘/d4d@dCdGd“Gd˙fierce ˙life x‘/2d˙and <‘2/d˙wilde <‘/@C4“GG‘.d0d@dCdHd“Hd˙At ˙in 4‘.-d˙e<‘-“HC0@H‘4d2d>dBdEd“Ed˙very ˙me, <‘42d˙word, <‘2/d˙Me x‘/0d˙ thoughts <‘04d˙I <‘46d˙heard x>EB2“E7d>dCdGd“Gd˙Makes <‘64d˙one <‘40d˙callx“GGC7>0ddCd“Cd˙ex‘42d˙And x‘2“C>2;C‘6d>d“EE‘/d7d;d>dCd“Cd˙My ˙mine! p‘/7d˙Lord. ‰0‘7“C>7;C˙/