A Benedictine Monastery
The new style of Church music naturally found
its most zealous promoters in the cloisters, among
whom we may name Rabanus Maurus, a pupil of
Alcuin, and abbot of the great convent of Fulda, and
Walafrid (nicknamed Strabo), abbot of Reichenau.
The Benedictine monasteries which were henceforward
founded in increasing numbers north of the
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Alps, were for the next two or three centuries, the
asylums where arts and letters were preserved through
the storms of those stormy times. Every convent,
in fact, constituted a little town in itself when it had
attained its full proportions. It began generally in
the humblest manner. The abbot of some considerable
monastery would send a small band of missionary
monks to some spot, chosen either for its
natural advantages, or from the needs, or perhaps
the earnestly-expressed wishes, of the surrounding
population. First, the monks would fell the trees,
and erect temporary huts for themselves; then the
chapel was built and service celebrated; then more
permanent abodes were constructed, and gardens
and fields were brought into cultivation. Then, if
possible, the relics of some saint were procured, and
deposited within the altar to give a special sanctity
to the place, and attract worshippers in the hope of
obtaining miraculous cures, and henceforward the
number of monks and dependants would rapidly
increase. When the institution was completed, we
know by plans still preserved in the archives of
St. Gall, that it would consist of the church as centre,
the monks' dwellings, the cloisters, and the convent
school within the inner inclosure; around which
clustered handsome buildings for the abbot's and
physician's houses; for the secular school, the hospital,
the lodgings for travellers, whether monks or laymen;
and the smaller abodes and workshops necessary
for the various artificers whose crafts here found
employment. The whole of this little town, so to
speak, was itself inclosed within a ditch, and in later
times fortified with walls and towers.
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