Number and Office of the Singers.
1. David and the captains of the
host—that is, the princes (1Ch 23:2; 24:6). It is probable that the king was
attended on the occasion of arranging the singers by the same parties
that are mentioned as having assisted him in regulating the order of
the priests and Levites.
2. according to the order of the
king—Hebrew, "by the hands of the king," that is,
"according to the king's order," under the personal superintendence of
Asaph and his colleagues.
which prophesied—that is, in this
connection, played with instruments. This metaphorical application of
the term "prophecy" most probably originated in the practice of the
prophets, who endeavored to rouse their prophetic spirit by the
animating influence of music (see on 2Ki 3:15).
It is said that Asaph did this "according to David's order," because by
royal appointment he officiated in the tabernacle on Zion (1Ch 16:37-41), while other leaders of the
sacred music were stationed at Gibeon.
5. Heman the king's seer—The title of
"seer" or "prophet of David" is also given to Gad (1Ch 21:9), and to Jeduthun (2Ch 29:14, 15), in the words (Margin,
"matters") of God.
to lift up the horn—that is, to blow
loudly in the worship of God; or perhaps it means nothing more than
that he presided over the wind instruments, as Jeduthun over the harp.
Heman had been appointed at first to serve at Gibeon (1Ch 16:41). But his destination seems to have been
changed at a subsequent period.
God gave to Heman fourteen sons and three
daughters—The daughters are mentioned, solely because from
their musical taste and talents they formed part of the choir (Ps 68:25).
6, 7. All these were under the hands of their
father—Asaph had four sons, Jeduthun six, and Heman fourteen,
equal to twenty-four; making the musicians with their brethren the
singers, an amount of two hundred eighty-eight. For, like the priests
and Levites, they were divided into twenty-four courses of twelve men
each, equal to two hundred eighty-eight, who served a week in rotation;
and these, half of whom officiated every week with a proportionate
number of assistants, were skilful and experienced musicians, capable
of leading and instructing the general musical corps, which comprised
no less than four thousand (1Ch 23:5).
1Ch 25:8-31. Their Division
by Lot into Four and Twenty Orders.
8. they cast lots, ward against
ward—"Ward" is an old English word for "division" or
"company." The lot was cast to determine the precedence of the classes
or divisions over which the musical leaders presided; and, in order to
secure an impartial arrangement of their order, the master and his
assistants, the teacher and his scholars, in each class or company took
part in this solemn casting of lots. In the first catalogue given in
this chapter the courses are classed according to their employment as
musicians. In the second, they are arranged in the order of their