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CHAP. III.

Concerning the secondary and inferior kind of beauty.

Though what has been spoken of is, alone, justly esteemed the true beauty of moral agents, or spiritual beings; this alone being what would appear beautiful in them upon a clear and comprehensive view of things; and therefore alone is the moral amiableness of beings that have understanding and will, in the eyes of him that perfectly sees all things as they are; yet there are other qualities, other sensations, propensities, and affections of mind, and principles of action, that often obtain the epithet of virtuous, and by many are supposed to have the nature of true virtue; which are entirely of a distinct nature from this, and have nothing of that kind; and therefore are erroneously confounded with real virtue.

That consent, agreement, or union of being to being, which has been spoken of, viz. the union or propensity of minds to mental or spiritual existence, may be called the highest and primary beauty; being the proper and peculiar beauty of spiritual and moral beings, which are the highest and first part of the universal system, for whose sake all the rest has existence. Yet there is another, inferior, secondary beauty, which is some image of this, and which is not peculiar to spiritual beings, but is found even in inanimate things; which consists in a mutual consent and agreement of different things, in form, manner, quantity, and visible end or design; called by the various names of regularity, order, uniformity, symmetry, proportion, harmony, &c. Such is the mutual agreement of the various sides of a square, or equilateral triangle, or of a regular polygon. Such is, as it were, the mutual consent of the different parts of the periphery of a circle, or surface of a sphere, and of the corresponding parts of an ellipsis. Such is the agreement of the colours, figures, dimensions, and distances of the different spots on a chess board. Such is the beauty of the figures on a piece of chintz or brocade. Such is the beautiful proportion of the various parts of a human body, or countenance. And such is the sweet mutual consent and agreement of the various notes of a melodious tune. This is the same that Mr. Hutchinson, in his Treatise on Beauty, expresses by uniformity in the midst of variety. Which is no other than the consent or agreement of different things, in form, quantity, &c. He observes, that the greater the variety is in equal uniformity the greater the beauty. Which is no more than to say, the more there are of different mutually agreeing things, the greater is the beauty. And the reason of that is, because it is more considerable to have many things consent one with another, than a few only.

The beauty which consists in the visible fitness of a thing to its use, and unity of design, is not a distinct sort of beauty from this. For it is to be observed, that one thing which contributes to the beauty of the agreement and proportion of various things, is their relation one to another; which connects them, and introduces them together into view and consideration, and whereby one suggests the other to the mind, and the mind is led to compare them, and so to expect and desire agreement. Thus the uniformity of two or more pillars, as they may happen to be found in different places, is not an equal degree of beauty, as that uniformity in so many pillars in the corresponding parts of the same building. So means and intended effect are related one to another. The answerableness of a thing to its use is only the proportion and fitness of a cause, or means, to a visibly designed effect, 128 and so an effect suggested to the mind by the idea of the means. This kind of beauty is not entirely different from that beauty which there is in fitting a mortise to its tenon. Only when the beauty consists in unity of design, or the adaptedness of a variety of things to promote one intended effect, in which all conspire, as the various parts of an ingenious complicated machine, there is a double beauty, as there is a twofold agreement and conformity. First, there is the agreement of the various parts to the designed end. Secondly, through this designed end or effect, all the various particulars agree one with another as the general medium of their union, whereby they, being united in this third, are all united one to another.

The reason, or at least one reason, why God has made this kind of mutual agreement of things beautiful and grateful to those intelligent beings that perceive it, probably is, that there is in it some image of the true, spiritual, original beauty, which has been spoken of; consisting in being’s consent to being, or the union of spiritual beings in a mutual propensity and affection of heart. The other is an image of this, because by that uniformity diverse things become as it were one, as it is in this cordial union. And it pleases God to observe analogy in his works, as is manifest in fact, in innumerable instances; and especially to establish inferior things with analogy to superior. Thus, in how many instances has he formed brutes in analogy to the nature of mankind: and plants, in analogy to animals, with respect to the manner of their generation, nutrition, &c. And so he has constituted the external world in analogy to the spiritual world, in numberless instances; as might be shown, if it were necessary, and here were a proper place for it.—Why such analogy in God’s works pleases him, it is not needful now to inquire. It is sufficient that he makes an agreement of different things, in their form, manner, measure, &c. to appear beautiful, because here is some image of a higher kind of agreement and consent of spiritual beings. It has pleased him to establish a law of nature, by virtue of which the uniformity and mutual correspondence of a beautiful plant, and the respect which the various parts of a regular building seem to have one to another, and their agreement and union, and the consent or concord of the various notes of a melodious tune, should appear beautiful; because therein is some image of the consent of mind, of the different members of a society or system of intelligent beings, sweetly united in a benevolent agreement of heart.

And here by the way, I would further observe, probably it is with regard to this image or resemblance, which secondary beauty has of true spiritual beauty, that God has so constituted nature, that the presenting of this inferior beauty, especially in those kinds of it which have the greatest resemblance of the primary beauty, as the harmony of sounds, and the beauties of nature, have a tendency to assist those whose hearts are under the influence of a truly virtuous temper, to dispose them to the exercises of divine love, and enliven in them a sense of spiritual beauty.

From what has been said we may see, that there are two sorts of agreement or consent of one thing to another. (1.) There is a cordial agreement; that consists in concord and union of mind and heart: which, if not attended (viewing things in general) with more discord than concord, is true virtue, and the original or primary beauty, which is the only true moral beauty. (2.) There is a natural union or agreement; which, though some image of the other, is entirely a distinct thing; the will, disposition, or affection of the heart having no concern in it, but consisting only in uniformity and consent of nature, form, quantity, &c. (as before described,) wherein lies an inferior secondary sort of beauty, which may in distinction from the other, be called natural beauty. This may be sufficient to let the reader know how I shall hereafter use the phrases cordial and natural agreement; and moral, spiritual, divine, and primary original beauty, and secondary or natural beauty. Concerning this latter, the inferior kind of beauty, the following things may be observed:

1. The cause why secondary beauty is grateful to men, is only a law of nature, which God has fixed, or an instinct he has given to mankind; and not their perception of the same thing which God is pleased to regard as the ground or rule by which he has established such a law of nature. This appears in two things.

(1.) That which God respects, as the ground of this law of nature, whereby things having a secondary beauty are made grateful to men, is their mutual agreement and proportion, in measure, form, &c. But, in many instances, persons that are gratified and affected with this beauty, do not reflect on that particular agreement and proportion, which, according to the law of nature, is the ground and rule of beauty in the case, yea, are ignorant of it. Thus, a man may be pleased with the harmony of the notes in a tune, and yet know nothing of that proportion or adjustment of the notes, which, by the law of nature, is the ground of the melody. He knows not, that the vibrations in one note regularly coincide with the vibrations in another; that the vibrations of a note coincide in time with two vibrations of its octave; and that two vibrations of a note coincide with three of its fifth, &c.—Yea, he may not know, that there are vibrations of the air in the case, or any corresponding motions in the organs of hearing, in the auditory nerve, or animal spirits.—So a man may be affected and pleased with a beautiful proportion of the features in a face, and yet not know what that proportion is, or in what measures, quantities, and distances it consists. In this, therefore, a sensation of secondary beauty, consisting in a spiritual union and agreement. What makes the latter grateful, is perceiving the union itself. It is the immediate view of that wherein the beauty fundamentally lies, that is pleasing to the virtuous mind.

(2.) God, in establishing such a law—that mutual natural agreement of different things, in form, quantity, &c. should appear beautiful or grateful to men—seems to have had regard to the resemblance there is in such a natural agreement, to that spiritual, cordial agreement, wherein original beauty consists. But it is not any reflection upon, or perception of, such a resemblance, that is the reason why such a form or state of objects appear beautiful to men: but their sensation of pleasure, on a view of this secondary beauty, is immediately owing to the law God has established, or the instinct he has given.

2. Another thing observable concerning this kind of beauty, is, that it affects the mind more (other things being equal) when taken notice of in objects which are of considerable importance, then in little trivial matters. Thus, the symmetry of the parts of a human body, or countenance, affects the mind more than the beauty of a flower. So the beauty of the solar system, more than as great and as manifold an order and uniformity in a tree. And the proportions of the parts of a church, or a palace, more than the same proportions in some little slight compositions, made to please children.

3. Not only uniformity and proportion, &c. of different things, is requisite, in order to this inferior beauty; but also some relation or connexion of the things thus agreeing one with another. As the uniformity or likeness of a number of pillars, scattered hither and thither, does not constitute beauty, or at least by no means in an equal degree, as uniformity in pillars connected in the same building, in parts that have relation one to another. So, if we see things unlike, and very disproportioned, in distant places, which have no relation to each other, this excites no such idea of deformity, as disagreement, inequality, or disproportion in things related and connected; and the nearer the relation, and the stricter the connexion, so much the greater and more disgustful is the deformity, consisting in their disagreement.

4. This secondary kind of beauty, consisting in uniformity and proportion, not only takes place in material and external things, but also in things immaterial; and is, in very many things, plain and sensible in the latter, as well as the former. And when it is so, there is no reason why it should not be grateful to them that behold it, in these as well as the other, by virtue of the same sense, or the same determination of mind, to be gratified with uniformity and proportion. If uniformity and proportion be the things that affect and appear agreeable to this sense of beauty, then why should not uniformity and proportion affect the same sense in immaterial things as well as material, if there be equal capacity of discerning it in both? 128 and indeed more in spiritual things (cateris paribus) as these are more important than things merely external and material?

This is not only reasonable to be supposed, but is evident in fact, in numberless instances. There is a beauty of order in society, besides what consists in benevolence, or can be referred to it, which is of the secondary kind. As, when the different members of society have all their appointed office, place, and station, according to their several capacities and talents, and every one keeps his place, and continues in his proper business. In this there is a beauty, not of a different kind from the regularity of a beautiful building, or piece of skilful architecture, where the strong pillars are set in their proper place, the pilasters in a place fit for them, the square pieces of marble in the pavement, the pannels, partitions, and cornices, &c. in places proper for them. As the agreement of a variety of things in one common design,—as of the parts of a building, or complicated machine,—is one instance of that regularity which belongs to the secondary kind of beauty, so there is the same kind of beauty in what is called wisdom, consisting in the united tendency of thoughts, ideas, and particular volitions, to one general purpose: which is a distinct thing from the goodness of that general purpose, as being useful and benevolent.

There is a beauty in the virtue called justice, which consists in the agreement of different things, that have relation to one another, in nature, manner, and measure; and therefore is the very same sort of beauty with that uniformity and proportion, which is observable in those external and material things that are esteemed beautiful. There is a natural agreement and adaptedness of things that have relation one to another, and an harmonious corresponding of one thing with another. He who from his will does evil to others, should receive evil from the will of him or them whose business it is to take care of the injured, and to act in their behalf, in proportion to the evil of his doings. Things are in natural regularity and mutual agreement, in a literal sense, when he whose heart opposes the general system, should have the hearts of that system, or the heart of the ruler of the system, against him; and, in consequence, should receive evil, in proportion to the evil tendency of the opposition of his heart. So, there is an agreement in nature and measure, when he that loves has the proper returns of love; when he that from his heart promotes the good of another, has his good promoted by the other; for there is a kind of justice in becoming gratitude.

Indeed most of the duties incumbent on us, if well considered, will be found to partake of the nature of justice. There is some natural agreement of one thing to another; some adaptedness of the agent to the object; some answerableness of the act to the occasion; some equality and proportion in things of a similar nature, and of a direct relation one to another. So it is in relative duties; duties of children to parents, and of parents to children; duties of husbands and wives; duties of rulers and subjects; duties of friendship and good neighbourhood; and all duties that we owe to God, our creator, preserver, and benefactor; and all duties whatsoever, considered as required by God, and as what are to be performed with a regard to Christ.

It is this secondary kind of beauty, which Mr. Wollaston seems to have had in his eye, when he resolved all virtue into an agreement of inclinations, volitions, and actions with truth. He evidently has respect to the justice there is in virtues and duties; which consists in one being expressing such affections, and using such a conduct, towards another, as hath a natural agreement and proportion to what is in them, and what we receive from them: which is as much a natural conformity of affection and action with its ground, object, and occasion, as that which is between a true proposition and the thing spoken of in it.

But there is another and higher beauty in true virtue, and in all truly virtuous dispositions and exercises, than what consists in any uniformity or similarity of various things; viz. the union of heart to being in general, or to god, the Being of beings, which appears in those virtues; and of which those virtues, when true, are the various expressions or effects. Benevolence to being in general, or to being simply considered, is entirely a distinct thing from uniformity in the midst of variety, and is a superior kind of beauty.

It is true, that benevolence to being in general, will naturally incline to justice, or proportion in the exercises of it. He that loves being, simply considered, will naturally, other things being equal, love particular beings, in a proportion compounded of the degree of being, and the degree of virtue, or benevolence to being, which they have. And that is to love beings in proportion to their dignity. For the dignity of any being consists in those two things. Respect to being, in this proportion, is the first and most general kind of justice; which will produce all the subordinate kinds. So that, after benevolence to being in general exists, the proportion which is observed in objects may be the cause of the proportion of benevolence to those objects: but no proportion is the cause or ground of the existence of such a thing as benevolence to being. The tendency of objects to excite that degree of benevolence, which is proportionable to the degree of being, &c. is the consequence of the existence of benevolence, and not the ground of it. Even as a tendency of bodies one to another, by mutual attraction, in proportion to the quantity of matter, is the consequence of the being of such a thing as mutual attraction; and not attraction the effect of proportion.

By this it appears, that just affections and acts have a beauty in them, distinct from and superior to the uniformity and equality there is in them: for which, he that has a truly virtuous temper, relishes and delights in them. And that is the expression and manifestation there is in them of benevolence to being in general. And besides this, there is the agreement of justice to the will and command of God; and also something in the tendency and consequences of justice, agreeable to general benevolence, as the glory of God, and the general good. Which tendency also makes it beautiful to a truly virtuous mind. So that the tendency of general benevolence to produce justice, also the tendency of justice to produce effects agreeable to general benevolence, both render justice pleasing to a virtuous mind. And it is on these accounts chiefly, that justice is grateful to a virtuous taste, or a truly benevolent heart. But though it be true, that the uniformity and proportion there is in justice, is grateful to a benevolent heart, as this uniformity and proportion tends to the general good; yet that is no argument that there is no other beauty in it but its agreeing with benevolence. For so the external regularity and order of the natural world gratifies benevolence, as it is profitable, and tends to the general good; but that is no argument that there is no other sort of beauty in external uniformity and proportion, but only its suiting benevolence, by tending to the general good.

5. From all that has been observed concerning this secondary kind of beauty, it appears, that the disposition, which consists in a determination of mind to approve and be pleased with this beauty, considered simply and by itself, has nothing of the nature of true virtue, and is entirely a different thing from a truly virtuous taste. For it has been shown, that this kind of beauty is entirely diverse from the beauty of true virtue, whether it takes place in material or immaterial things; and therefore it will follow, that a taste of this kind of beauty is entirely a different thing from a taste of true virtue. Who will affirm, that a disposition to approve of the harmony of good music, or the beauty of a square, or equilateral triangle, is the same with true holiness, or a truly virtuous disposition of mind? It is a relish of uniformity and proportion that determines the mind to approve these things. And there is no need of any thing higher, or of any thing in any respect diverse, to determine the mind to approve and be pleased with equal uniformity and proportion among spiritual things which are equally discerned. It is virtuous to love true virtue, as that denotes an agreement of the heart with virtue. But it argues no virtue for the heart to be pleased with that which is entirely distinct from it.

Though it be true, that there is some analogy in it to spiritual and virtuous beauty—as far as material things can have analogy to things spiritual, of which they can have no more than a shadow—yet, as has been observed, men do not approve it because of any such analogy perceived. And not only reason but experience plainly shows, 129 that men’s approbation of this sort of beauty does not spring from any virtuous temper, and has no connexion with virtue. For otherwise their delight in the beauty of squares, and cubes, and regular polygons, in the regularity of buildings, and the beautiful figures in a piece of embroidery, would increase in proportion to men’s virtue; and would be raised to a great height in some eminently virtuous or holy men; but would be almost wholly lost in some others that are very vicious and lewd. It is evident in fact, that a relish of these things does not depend on general benevolence, or any benevolence at all to any being whatsoever, any more than a man’s loving the taste of honey, or his being pleased with the smell of a rose. A taste of this inferior beauty in things immaterial, is one thing which has been mistaken by some moralists, for a true virtuous principle, supposed to be implanted naturally in the hearts of all mankind.

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