32.
It is certain that the use of singing in churches (which I may
mention in passing) is not only very ancient, but was also used by the Apostles,
as we may gather from the words of Paul, "I will sing with the spirit, and I
will sing with the understanding also" (1 Cor. 14:15). In like manner he says to
the Colossians, "Teaching and admonishing one another in psalms, and hymns, and
spiritual songs, singing with grace in your hearts to the Lord" (Col. 3:16). In
the former passage, he enjoins us to sing with the voice and the heart; in the
latter, he commends spiritual Songs, by which the pious mutually edify each
other. That it was not an universal practice, however, is attested by Augustine
(Confess. Lib. ix. cap. 7), who states that the church of Milan first began to
use singing in the time of Ambrose, when the orthodox faith being persecuted by
Justina, the mother of Valentinian, the vigils of the people were more frequent
than usual;1717This clause of the sentence is omitted in the French. and that
the practice was afterwards followed by the other Western churches. He had said
a little before that the custom came from the East.1818The French adds, "où on en avoit tousjours usé;"—where
it had always been used. He also
intimates (Retract. Lib. ii). that it was received in Africa in his own time.
His words are, "Hilarius, a man of tribunitial rank, assailed with the bitterest
invectives he could use the custom which then began to exist at Carthage, of
singing hymns from the book of Psalms at the altar, either before the oblation,
or when it was distributed to the people; I answered him, at the request of my
brethren."1919The whole of this quotation is omitted in the French. And
certainly if singing is tempered to a gravity befitting the presence of God and
angels, it both gives dignity and grace to sacred actions, and has a very
powerful tendency to stir up the mind to true zeal and ardour in prayer. We
must, however, carefully beware, lest our ears be more intent on the music than
our minds on the spiritual meaning of the words. Augustine confesses (Confess.
Lib. x. cap. 33) that the fear of this danger sometimes made him wish for the
introduction of a practice observed by Athanasius, who ordered the reader to use
only a gentle inflection of the voice, more akin to recitation than singing. But
on again considering how many advantages were derived from singing, he inclined
to the other side.2020French, "Mais il adjouste d’autre part, que quand il se
souvenoit du fruict et de l’edification qu’il avoit recue en oyant chanter àl’Eglise il enclinoit plus à
l’autre partie, c’est, approuver le chant;"—but he
adds on the other hand that when he called to mind the fruit and edification
which he had received from hearing singing in the church, he inclined more to
the other side; that is, to approve singing. If this
moderation is used, there cannot be a doubt that the practice is most sacred and
salutary. On the other hand, songs composed merely to tickle and delight the ear
are unbecoming the majesty of the Church, and cannot but be most displeasing to
God.
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